Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 189
... show that the tra- gic hero suffers because of a defect or imbalance in his character , or because of a mistake he ... shows us the way to eliminate suffering . For , by controlling the cause we can con- trol the effect . For example ...
... show that the tra- gic hero suffers because of a defect or imbalance in his character , or because of a mistake he ... shows us the way to eliminate suffering . For , by controlling the cause we can con- trol the effect . For example ...
Side 197
... shows itself akin to good and alien from evil . '11 Evil is a force alien to the nature of the world order and when it erupts anywhere , it brings about suffering , death , and a general convulsion in the order . The tragic fact does ...
... shows itself akin to good and alien from evil . '11 Evil is a force alien to the nature of the world order and when it erupts anywhere , it brings about suffering , death , and a general convulsion in the order . The tragic fact does ...
Side 201
... show annihilation of all that man cherishes . The Mahabharata - and perhaps the Ramayana -might be cited as examples . The Mahabharata shows great men engaged in great endeavours , sublime in their virtues and abysmal in their ...
... show annihilation of all that man cherishes . The Mahabharata - and perhaps the Ramayana -might be cited as examples . The Mahabharata shows great men engaged in great endeavours , sublime in their virtues and abysmal in their ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing