Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 32
... reality is to be found in experience.18 Religion and art are thus names for one and the same experience - an intuition of reality and of identity . This is not , of course , exclusively a Hindu view : it has been expounded by many ...
... reality is to be found in experience.18 Religion and art are thus names for one and the same experience - an intuition of reality and of identity . This is not , of course , exclusively a Hindu view : it has been expounded by many ...
Side 33
... reality ( generally behind pure form ) , and the power of expressing his sense of it , in pure form always ! 19 Here pure form means form not clogged with unaesthetic matter such as associations . It will be seen that this view is ...
... reality ( generally behind pure form ) , and the power of expressing his sense of it , in pure form always ! 19 Here pure form means form not clogged with unaesthetic matter such as associations . It will be seen that this view is ...
Side 183
... reality in a sequence of independent images , transfers the move- ment within the " reality " into a different type of movement , and then only can create the illusion of reality , so also , ideas can only deal with the flux of life ...
... reality in a sequence of independent images , transfers the move- ment within the " reality " into a different type of movement , and then only can create the illusion of reality , so also , ideas can only deal with the flux of life ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing