Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
Fra bogen
Resultater 1-3 af 61
Side 105
... rasa . The word rasa primarily means " taste " or " savour " , such as sweetness ; and , by a metaphorical extension , it has been applied to the type of experience referred to above . The point of the metaphor is that , as in the case ...
... rasa . The word rasa primarily means " taste " or " savour " , such as sweetness ; and , by a metaphorical extension , it has been applied to the type of experience referred to above . The point of the metaphor is that , as in the case ...
Side 142
... ( rasa dhvani ) . Abhinava points out that this doctrine is not expressly taught in the core of gnomic formulae ( kārikā ) of the Dhvanyāloka , but is sanctioned by Anandavardhana's treatment in his exposition ( vritti ) . The heady ...
... ( rasa dhvani ) . Abhinava points out that this doctrine is not expressly taught in the core of gnomic formulae ( kārikā ) of the Dhvanyāloka , but is sanctioned by Anandavardhana's treatment in his exposition ( vritti ) . The heady ...
Side 143
... ( rasa ) . This synthesis , however , is completed only with Abhinava's contri- bution . In Anandavardhana , the return of rasa to supreme status , which dhvani had tried to usurp for a while , is reflected in the special stress given to ...
... ( rasa ) . This synthesis , however , is completed only with Abhinava's contri- bution . In Anandavardhana , the return of rasa to supreme status , which dhvani had tried to usurp for a while , is reflected in the special stress given to ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
11 andre sektioner vises ikke
Almindelige termer og sætninger
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing