Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 33
... pure form ) , and the power of expressing his sense of it , in pure form always ! 19 Here pure form means form not clogged with unaesthetic matter such as associations . It will be seen that this view is monistic : the doctrine of the ...
... pure form ) , and the power of expressing his sense of it , in pure form always ! 19 Here pure form means form not clogged with unaesthetic matter such as associations . It will be seen that this view is monistic : the doctrine of the ...
Side 100
... pure contemplation . But we must be careful to remember that by describing this attitude as contemplative , we do not mean that it is passive and excludes all activity . The very fact that it is an appreciative attitude implies that it ...
... pure contemplation . But we must be careful to remember that by describing this attitude as contemplative , we do not mean that it is passive and excludes all activity . The very fact that it is an appreciative attitude implies that it ...
Side 234
... pure ' arbitrarily . In his seminal essay on " Pure and Impure Poetry " ( 1942 ) , Robert Penn Warren traces the ' common denominator ' in these theories as " the belief that poetry is an essence that is to be located at some particular ...
... pure ' arbitrarily . In his seminal essay on " Pure and Impure Poetry " ( 1942 ) , Robert Penn Warren traces the ' common denominator ' in these theories as " the belief that poetry is an essence that is to be located at some particular ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing