Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 168
... problem of the relationship of sṛngāra and hāsya is of an entirely different nature . Dhanan- ajaya fully subscribes to Bharata's theory that hāsya is born out of sṛngāra , but his explanation of the phenomenon is a highly original one ...
... problem of the relationship of sṛngāra and hāsya is of an entirely different nature . Dhanan- ajaya fully subscribes to Bharata's theory that hāsya is born out of sṛngāra , but his explanation of the phenomenon is a highly original one ...
Side 187
... problem of poetry . Much of the poetry of earlier times , in a broader aspect , was descriptive poetry - poetry dealing with the externalised aspect of reality — a poetry of " beingness " than " becomingness " . Even in epic poetry , we ...
... problem of poetry . Much of the poetry of earlier times , in a broader aspect , was descriptive poetry - poetry dealing with the externalised aspect of reality — a poetry of " beingness " than " becomingness " . Even in epic poetry , we ...
Side 220
... problem altogether and not a part of the problem enshrined in the title of this essay . IV Perhaps I should go one step beyond - I shall suggest that the varied answers to the question ' is there an x and if so what is it ? ' , whether ...
... problem altogether and not a part of the problem enshrined in the title of this essay . IV Perhaps I should go one step beyond - I shall suggest that the varied answers to the question ' is there an x and if so what is it ? ' , whether ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing