Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 113
... play is the feeling of a son towards a guilty mother .... The only way of expressing emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall ...
... play is the feeling of a son towards a guilty mother .... The only way of expressing emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall ...
Side 125
... play . The emotion expressed by the poet or attributed to a character , which is presented through its objective correlates ; the permanent emotion awakened in me ; the rasa I finally experience - all three are the same emotion ...
... play . The emotion expressed by the poet or attributed to a character , which is presented through its objective correlates ; the permanent emotion awakened in me ; the rasa I finally experience - all three are the same emotion ...
Side 126
... play . The basic tragic emotion , karuna , is also at work , but it is not the supreme principle of the play as it is of King Lear . The emotional quality of a poem is often determined by the emotional composition of its hero . Achilles ...
... play . The basic tragic emotion , karuna , is also at work , but it is not the supreme principle of the play as it is of King Lear . The emotional quality of a poem is often determined by the emotional composition of its hero . Achilles ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing