Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 47
... particular or a variety of egocentric particulars of the type ' I feel X ' to the non- egocentric , objective proposition , ' X is beautiful ' , if I am to achieve a valid aesthetic judgement . The problem is how do I do this ? What are ...
... particular or a variety of egocentric particulars of the type ' I feel X ' to the non- egocentric , objective proposition , ' X is beautiful ' , if I am to achieve a valid aesthetic judgement . The problem is how do I do this ? What are ...
Side 188
... particular type of religion . But when critics maintain the incompatibility thesis , they tend to ignore such historical evidence . They do it not because the evidence is inaccessible to them but because they have made a particular ...
... particular type of religion . But when critics maintain the incompatibility thesis , they tend to ignore such historical evidence . They do it not because the evidence is inaccessible to them but because they have made a particular ...
Side 235
... particular place in a poem , or in some particular place in a poem , or in some particular element . " This mythical essence is , of course , not knowledge or ideas , not convictions or statements of faith , not situations or ...
... particular place in a poem , or in some particular place in a poem , or in some particular element . " This mythical essence is , of course , not knowledge or ideas , not convictions or statements of faith , not situations or ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing