Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 125
... mind . Emotion , to vary the terms and say the same thing , is translated into and back from its objective equivalents and reassembled in the reader's mind and raised to the state of rasa . The transplanting is made possible by the ...
... mind . Emotion , to vary the terms and say the same thing , is translated into and back from its objective equivalents and reassembled in the reader's mind and raised to the state of rasa . The transplanting is made possible by the ...
Side 166
... mind . This statement , which is found in many major works on poetics , 3 seems to have its origins in Dhananjaya , the author of the Daśarūpaka , who introduced , probably for the first time , the concept of the fundamental motions of ...
... mind . This statement , which is found in many major works on poetics , 3 seems to have its origins in Dhananjaya , the author of the Daśarūpaka , who introduced , probably for the first time , the concept of the fundamental motions of ...
Side 183
... mind is constantly straining to grapple with the essential nature of this " vital force " . Forming " ideas " is the mind's way of going about this business . Whether in the psy- chological sense , or the metaphysical , ideas are , by ...
... mind is constantly straining to grapple with the essential nature of this " vital force " . Forming " ideas " is the mind's way of going about this business . Whether in the psy- chological sense , or the metaphysical , ideas are , by ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing