Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 88
... merely from open - eyed emotional experience as in Tess , but from a certain obsession , as in Jude the Obscure . Again , when religion is taken literally and not as symbolic of human experience , it results in religious or theological ...
... merely from open - eyed emotional experience as in Tess , but from a certain obsession , as in Jude the Obscure . Again , when religion is taken literally and not as symbolic of human experience , it results in religious or theological ...
Side 160
... merely looks like ( avabhāsate ) a picture ( alekhuyam ) . " Abhinava51 defined it as " solely depen- dent on metrical and other skills for its impact , only a picture- ( alekhyamātratvad ) , merely arty ( kalā - mātratvad ) , only an ...
... merely looks like ( avabhāsate ) a picture ( alekhuyam ) . " Abhinava51 defined it as " solely depen- dent on metrical and other skills for its impact , only a picture- ( alekhyamātratvad ) , merely arty ( kalā - mātratvad ) , only an ...
Side 242
... merely as activity of human entertainment ; if it is entertainment , it is so for ' superior gentlemen ' , that is , those who believe in the world- view and desire to continue the tradition . . . Classical literature , for good or bad ...
... merely as activity of human entertainment ; if it is entertainment , it is so for ' superior gentlemen ' , that is , those who believe in the world- view and desire to continue the tradition . . . Classical literature , for good or bad ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing