Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 60
... literature ( sic ) . I said last time , and I hope you have agreed with me , that a work of literature expresses an emotion or a pattern of emotions ; that is to say , the relations involved in a work of literature are emotional ...
... literature ( sic ) . I said last time , and I hope you have agreed with me , that a work of literature expresses an emotion or a pattern of emotions ; that is to say , the relations involved in a work of literature are emotional ...
Side 61
... literature , however , language intervenes and they are never in this way immediately experi- enced . The only facts of immediate experience in literature are the printed or spoken words and their syntactic relations . In order to grasp ...
... literature , however , language intervenes and they are never in this way immediately experi- enced . The only facts of immediate experience in literature are the printed or spoken words and their syntactic relations . In order to grasp ...
Side 242
... literature ; romantic literature , for good , is mass literature , and for bad , ' admass ' . This needs stressing because , among the overtly pious , there is the impression that whatever goes by the name of classical is ipso facto ...
... literature ; romantic literature , for good , is mass literature , and for bad , ' admass ' . This needs stressing because , among the overtly pious , there is the impression that whatever goes by the name of classical is ipso facto ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing