Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
Fra bogen
Resultater 1-3 af 29
Side 71
... literary criticism , the process of learning is laborious ; but once it is over , the literary critic grasps the patterns instantaneously and without much difficulty . ... References 1. This is a very important point although I cannot ...
... literary criticism , the process of learning is laborious ; but once it is over , the literary critic grasps the patterns instantaneously and without much difficulty . ... References 1. This is a very important point although I cannot ...
Side 131
... literary form or sabda ? Could the content elicit rasa without the adequate medium ? Again , all theorists are agreed that an adequate literary form alone , strikingly beautiful owing to the poet's devices ( alankāras ) arising spontane ...
... literary form or sabda ? Could the content elicit rasa without the adequate medium ? Again , all theorists are agreed that an adequate literary form alone , strikingly beautiful owing to the poet's devices ( alankāras ) arising spontane ...
Side 217
... literary culture ( norms of versification , for example ) . One way of conceiving the critic's role in the poem - making event ( the poet - critic ) and the poem - encountering - event ( the reader - critic ) is to think of the critic ...
... literary culture ( norms of versification , for example ) . One way of conceiving the critic's role in the poem - making event ( the poet - critic ) and the poem - encountering - event ( the reader - critic ) is to think of the critic ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
11 andre sektioner vises ikke
Almindelige termer og sætninger
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing