Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 170
... laughter , because it readily accepts the close affinity between rati and hāsa . The antipathy that Sanskrit writers have established between hāsya and karuṇa has also been recognised by McDougall , who has laid down that ' laughter is ...
... laughter , because it readily accepts the close affinity between rati and hāsa . The antipathy that Sanskrit writers have established between hāsya and karuṇa has also been recognised by McDougall , who has laid down that ' laughter is ...
Side 171
... laughter of others is itself a situation producing laughter.27 The more we study the statements of the Sanskrit thinkers on laughter , the more are we impressed by their insight into its nature . The author of the Kavyanusāsana , for ...
... laughter of others is itself a situation producing laughter.27 The more we study the statements of the Sanskrit thinkers on laughter , the more are we impressed by their insight into its nature . The author of the Kavyanusāsana , for ...
Side 175
... laughter as laughter born in onself , but defines parastha laughter as that which is born of infection from other's laughter .. The distinction that he makes is between asankranta laughter and sankrānta laughter.42 Dhanika , the ...
... laughter as laughter born in onself , but defines parastha laughter as that which is born of infection from other's laughter .. The distinction that he makes is between asankranta laughter and sankrānta laughter.42 Dhanika , the ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing