Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
Fra bogen
Resultater 1-3 af 41
Side 17
... kind . Virgil's kind is large and deep , that of Catullus sweet and intense . Virgil's art reached or had from its beginning a greater and more constant ripeness than that of Catullus . We can say then that Virgil was a greater poet and ...
... kind . Virgil's kind is large and deep , that of Catullus sweet and intense . Virgil's art reached or had from its beginning a greater and more constant ripeness than that of Catullus . We can say then that Virgil was a greater poet and ...
Side 23
... kind of poetry . But perhaps a subtle qualification may be made to this statement . It is true that each kind of poetical writing can reach the highest perfection in its own line and in its own quality and what can be more perfect than ...
... kind of poetry . But perhaps a subtle qualification may be made to this statement . It is true that each kind of poetical writing can reach the highest perfection in its own line and in its own quality and what can be more perfect than ...
Side 141
... kind of poetry dhvani ( dhvani kavya ) in which the ( expressed ) word and sense , subordinating them- selves , manifest that ( other suggested ) sense " . But now it is not just a particular kind of poetry , it alone is the highest ...
... kind of poetry dhvani ( dhvani kavya ) in which the ( expressed ) word and sense , subordinating them- selves , manifest that ( other suggested ) sense " . But now it is not just a particular kind of poetry , it alone is the highest ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
11 andre sektioner vises ikke
Almindelige termer og sætninger
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing