Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 66
... example of balance , but a Shakespearean tragedy can furnish one of the subtlest examples of tragic balance . These are simple and very broad illustrations of the way in which emotional relations can be inter - related . When their ...
... example of balance , but a Shakespearean tragedy can furnish one of the subtlest examples of tragic balance . These are simple and very broad illustrations of the way in which emotional relations can be inter - related . When their ...
Side 98
... example , it may have some lesson or criticism of life to convey to him ; but they are all more or less remote , un- like pleasure which is its immediate use or value for him . But pleasure here is not to be taken in the abstract ...
... example , it may have some lesson or criticism of life to convey to him ; but they are all more or less remote , un- like pleasure which is its immediate use or value for him . But pleasure here is not to be taken in the abstract ...
Side 201
... example of the second . These great men were creating new patterns of life , which involved a radical break with the ... examples . The Mahabharata shows great men engaged in great endeavours , sublime in their virtues and abysmal in ...
... example of the second . These great men were creating new patterns of life , which involved a radical break with the ... examples . The Mahabharata shows great men engaged in great endeavours , sublime in their virtues and abysmal in ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing