Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 113
... emotion is presented . The locus classicus on the objective correlative is the latter half of Eliot's essay on Hamlet : Mr Robertson is undoubtedly correct in concluding that the essential emotion of the play is the feeling of a son ...
... emotion is presented . The locus classicus on the objective correlative is the latter half of Eliot's essay on Hamlet : Mr Robertson is undoubtedly correct in concluding that the essential emotion of the play is the feeling of a son ...
Side 118
... emotion is the image's resonance— and not reference , nor inference . Reference is denotation — a given word standing simply , precisely and invariably for a given referent . Suggested emotion , on the other hand , is in the nature of ...
... emotion is the image's resonance— and not reference , nor inference . Reference is denotation — a given word standing simply , precisely and invariably for a given referent . Suggested emotion , on the other hand , is in the nature of ...
Side 125
... emotion expressed by the poet or attributed to a character , which is presented through its objective correlates ; the permanent emotion awakened in me ; the rasa I finally experience - all three are the same emotion . Abercrombie ...
... emotion expressed by the poet or attributed to a character , which is presented through its objective correlates ; the permanent emotion awakened in me ; the rasa I finally experience - all three are the same emotion . Abercrombie ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing