Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 3
... element , its sound value , a quite immaterial element , its significance or thought value , and both of these again , its sound and its sense , have separately and together a soul value , a direct spiritual power , which is infinitely ...
... element , its sound value , a quite immaterial element , its significance or thought value , and both of these again , its sound and its sense , have separately and together a soul value , a direct spiritual power , which is infinitely ...
Side 5
... element which grew more dominant as language evolved . The reason why sound came to express fixed ideas , lies not in any natural and inherent equivalence between the sound and its intellectual sense , for there is none ...
... element which grew more dominant as language evolved . The reason why sound came to express fixed ideas , lies not in any natural and inherent equivalence between the sound and its intellectual sense , for there is none ...
Side 21
... element pre- dominates over the element of gnosis , the distinction between truth and beauty is still valid . It is indeed one of the chief functions of the Overmind to separate the main powers of the consciousness and give to each its ...
... element pre- dominates over the element of gnosis , the distinction between truth and beauty is still valid . It is indeed one of the chief functions of the Overmind to separate the main powers of the consciousness and give to each its ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing