Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 142
... dhvani theory concentrates attention on the nature of what is suggested and this yields another system of categories . The suggested sense has three different aspects . It may be a matter or an idea ( vastu dhvani ) . This is the case ...
... dhvani theory concentrates attention on the nature of what is suggested and this yields another system of categories . The suggested sense has three different aspects . It may be a matter or an idea ( vastu dhvani ) . This is the case ...
Side 143
... ( dhvani ) but also to har- monise it with the theory of the aesthetic emotion ( rasa ) . This synthesis , however , is completed only with Abhinava's contri- bution . In Anandavardhana , the return of rasa to supreme status , which dhvani ...
... ( dhvani ) but also to har- monise it with the theory of the aesthetic emotion ( rasa ) . This synthesis , however , is completed only with Abhinava's contri- bution . In Anandavardhana , the return of rasa to supreme status , which dhvani ...
Side 154
... dhvani theory would give the verdict that there is no dhvani , as they understand the concept , in the poem . There is not even any subordinated suggestion , as two layers of meaning , the expressed and the suggested , are not ...
... dhvani theory would give the verdict that there is no dhvani , as they understand the concept , in the poem . There is not even any subordinated suggestion , as two layers of meaning , the expressed and the suggested , are not ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing