Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 59
... described in terms of the qualitative or quantitative aspects of the relations which it unites . Rhythm thus conceived can be defined , like its logical counterpart coher- ence , in terms of its laws . The Laws of Rhythm are three : the ...
... described in terms of the qualitative or quantitative aspects of the relations which it unites . Rhythm thus conceived can be defined , like its logical counterpart coher- ence , in terms of its laws . The Laws of Rhythm are three : the ...
Side 68
... described by a thick black line representing disillusion . The next three successive circles will be described by ' smoothes ' , ' with automatic hand ' and ' puts ' respectively . There are several things which I should like you to ...
... described by a thick black line representing disillusion . The next three successive circles will be described by ' smoothes ' , ' with automatic hand ' and ' puts ' respectively . There are several things which I should like you to ...
Side 176
... described . These changes vary from disposition to disposition and are capable of affecting the whole of the human body . Though laughter is born in the mind , it depends for its timulation on the external world . The objects of ...
... described . These changes vary from disposition to disposition and are capable of affecting the whole of the human body . Though laughter is born in the mind , it depends for its timulation on the external world . The objects of ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing