Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 120
... course , in poetry , the vibhāvas were a great deal less naive than in Bharata's Natya - śästra , but we must nevertheless see them as they were first set forth by the Father of Sanskrit Poetics . For grief , Bharata's correlatives are ...
... course , in poetry , the vibhāvas were a great deal less naive than in Bharata's Natya - śästra , but we must nevertheless see them as they were first set forth by the Father of Sanskrit Poetics . For grief , Bharata's correlatives are ...
Side 221
... course only a partial anticipation in that for poetry the agency is the Secondary Imagination according to Coleridge . Martin Buber ( 1923 , 1937 , pp . 41-2 ) warns that , though technical and aesthetic analysis may demote the work of ...
... course only a partial anticipation in that for poetry the agency is the Secondary Imagination according to Coleridge . Martin Buber ( 1923 , 1937 , pp . 41-2 ) warns that , though technical and aesthetic analysis may demote the work of ...
Side 222
... course alludes to the locus classicus in T.S. Eliot ( 1919 ) : " What happens when a new work of art is created is something that happens simultaneously to all the works of art which pre ceded it . The existing monuments form an ideal ...
... course alludes to the locus classicus in T.S. Eliot ( 1919 ) : " What happens when a new work of art is created is something that happens simultaneously to all the works of art which pre ceded it . The existing monuments form an ideal ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing