Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 8
... brings us into nearness or identity with the whole reality of the thing expressed . Equally in emotion , it is not ... bring . This is the source of that intensity which is the stamp of poetical speech and of the poetical movement . It ...
... brings us into nearness or identity with the whole reality of the thing expressed . Equally in emotion , it is not ... bring . This is the source of that intensity which is the stamp of poetical speech and of the poetical movement . It ...
Side 25
... bring in a greatness into poetry which could surpass the other levels of inspiration , greater even from the purely aesthetic point of view and certainly in the power of its substance . A conscious attempt to write Overhead poetry with ...
... bring in a greatness into poetry which could surpass the other levels of inspiration , greater even from the purely aesthetic point of view and certainly in the power of its substance . A conscious attempt to write Overhead poetry with ...
Side 26
... bring in the concreteness , the authentic image , the inmost soul of identity and the heart of meaning of these things , so that it could never lack in beauty . If this could be achieved by one possessed , if not of a supreme , still of ...
... bring in the concreteness , the authentic image , the inmost soul of identity and the heart of meaning of these things , so that it could never lack in beauty . If this could be achieved by one possessed , if not of a supreme , still of ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing