Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 22
... become constant companions but become one , involved in each other , inseparable : on that level the true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in the Supermind ; but ...
... become constant companions but become one , involved in each other , inseparable : on that level the true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in the Supermind ; but ...
Side 131
... become representative of humanity caught up in the whirl of the world's joys and griefs . Thus , the very first condition of rasa or aesthetic experience in the reader assumes the specialised skill of the poet in seizing the universal ...
... become representative of humanity caught up in the whirl of the world's joys and griefs . Thus , the very first condition of rasa or aesthetic experience in the reader assumes the specialised skill of the poet in seizing the universal ...
Side 167
... become a source of laughter , but it cannot be equated with hāsya . Hāsya , in Abhinavagupta's conception , does not have any particular affinity to rngāra , since the source of hasya is anaucityapravṛtti or the tendency towards ...
... become a source of laughter , but it cannot be equated with hāsya . Hāsya , in Abhinavagupta's conception , does not have any particular affinity to rngāra , since the source of hasya is anaucityapravṛtti or the tendency towards ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing