Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 75
... attitudes in the poem , for it is conse- crated to the expression of this single attitude . But the poem attains greatness as a dramatic lyric because of the supreme beauty and uniqueness of the dramatic moment which it expresses . In a ...
... attitudes in the poem , for it is conse- crated to the expression of this single attitude . But the poem attains greatness as a dramatic lyric because of the supreme beauty and uniqueness of the dramatic moment which it expresses . In a ...
Side 83
... attitude and vision of the poet . In descrip- tive poetry , outer meaning is broken into a series of prismatic statements through which inner meaning reveals the poet's vision , mood and attitude . We have seen that , in reflective ...
... attitude and vision of the poet . In descrip- tive poetry , outer meaning is broken into a series of prismatic statements through which inner meaning reveals the poet's vision , mood and attitude . We have seen that , in reflective ...
Side 91
... attitude of the creator towards them . If the poet's attitude is one of high seriousness , the delineation will be equally lofty . It is this basic attitude of the artist which determines whether his work will be full of great ...
... attitude of the creator towards them . If the poet's attitude is one of high seriousness , the delineation will be equally lofty . It is this basic attitude of the artist which determines whether his work will be full of great ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing