Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 70
... appear to some of you fantastic . To others , it may appear perhaps prac- ticable and useful , at a stretch , in short poems but definitely impracticable in longer poems or epics or novels . I would submit that this is not so . A boy ...
... appear to some of you fantastic . To others , it may appear perhaps prac- ticable and useful , at a stretch , in short poems but definitely impracticable in longer poems or epics or novels . I would submit that this is not so . A boy ...
Side 191
... appears to be impossible . For both of them appear to deny , in some sense , the very fact of human suffering . If tragedy is said to grapple with the problem of human suffering , it seems plausible to say that it will have no place in ...
... appears to be impossible . For both of them appear to deny , in some sense , the very fact of human suffering . If tragedy is said to grapple with the problem of human suffering , it seems plausible to say that it will have no place in ...
Side 197
... appears to hold both these positions which are alleged to be incompatible . Evidently he does not regard them as incompatible . As we saw earlier , the ... appear to collapse . If the worshipper is identical with TRAGEDY AND RELIGION 197.
... appears to hold both these positions which are alleged to be incompatible . Evidently he does not regard them as incompatible . As we saw earlier , the ... appear to collapse . If the worshipper is identical with TRAGEDY AND RELIGION 197.
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing