The Yale Literary Magazine, Bind 119Herrick & Noyes., 1951 |
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Side 28
... seen as rip- ples of a widening circle in which the force seems to be growing even though what precipitated it has vanished . While Sarah remains in love with Bendix , she passes from diffidence to hate and finally love of God . This ...
... seen as rip- ples of a widening circle in which the force seems to be growing even though what precipitated it has vanished . While Sarah remains in love with Bendix , she passes from diffidence to hate and finally love of God . This ...
Side 17
... seen with reference to the muleta in which only a few flat shadow strokes are used . Much of the spatial effect is achieved by the fact that the three objects of the painting - the bullfighter , sword , and cape , -are given reference ...
... seen with reference to the muleta in which only a few flat shadow strokes are used . Much of the spatial effect is achieved by the fact that the three objects of the painting - the bullfighter , sword , and cape , -are given reference ...
Side 34
... seen such a devilish lady . But I've seen her do worse than this what she done here . I'se seen her set out in a car out by where I lives and drink liquor . And she don't need her own glass either . She don't care . She's just a mess ...
... seen such a devilish lady . But I've seen her do worse than this what she done here . I'se seen her set out in a car out by where I lives and drink liquor . And she don't need her own glass either . She don't care . She's just a mess ...
Indhold
published by the Chi Delta Theta Literary Society | 1 |
NOVEMBER ISSUE NUMBER 3 | 3 |
Contents | 1 |
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