The Yale Literary Magazine, Bind 119Herrick & Noyes., 1951 |
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Side 9
... color , and small , fragile clouds slipped across it , momentarily blushing as they grazed the sun . The grass was being mowed and raked into wind - rows , and the chopper , pulled by a tractor , ate up the rows voraciously . Peter ...
... color , and small , fragile clouds slipped across it , momentarily blushing as they grazed the sun . The grass was being mowed and raked into wind - rows , and the chopper , pulled by a tractor , ate up the rows voraciously . Peter ...
Side 17
... color theme . Four colors dominate the canvas - white , black , pink , and yellow - brown . The torero's stockings , his blouse , and the inside lining of his jacket are a pure silk white . His shoes , traje ( suit ) , hair , and sword ...
... color theme . Four colors dominate the canvas - white , black , pink , and yellow - brown . The torero's stockings , his blouse , and the inside lining of his jacket are a pure silk white . His shoes , traje ( suit ) , hair , and sword ...
Side 21
... color still has more " life " than the blacks and whites ; it is then placed where our eye last leaves the picture . The tones of all the colors of the man's costume are lumi- nous and bright , but the luminosity is strange and ...
... color still has more " life " than the blacks and whites ; it is then placed where our eye last leaves the picture . The tones of all the colors of the man's costume are lumi- nous and bright , but the luminosity is strange and ...
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