The Yale Literary Magazine, Bind 119Herrick & Noyes., 1951 |
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Side 11
... body as a saleable object : whether she poses for Vogue or what . And she externalizes her body - looks at it in the mirror— and thinks of it in an entirely different way than she does of herself . ' He read the poem . ' There you are ...
... body as a saleable object : whether she poses for Vogue or what . And she externalizes her body - looks at it in the mirror— and thinks of it in an entirely different way than she does of herself . ' He read the poem . ' There you are ...
Side 21
... body to his feet and back to his head and slowly down his outstretched arm and out of the picture - gone . The muleta , the sword , and the man as they are thus presented are symbols centered around death . They relate to each other ...
... body to his feet and back to his head and slowly down his outstretched arm and out of the picture - gone . The muleta , the sword , and the man as they are thus presented are symbols centered around death . They relate to each other ...
Side
... body , but we do not want the bones to show . In Marianne Moore's poetry , the world's body is preserved in its richness . She does not whittle her objects into meaning but preserves them entire , knowing that if she treats them ...
... body , but we do not want the bones to show . In Marianne Moore's poetry , the world's body is preserved in its richness . She does not whittle her objects into meaning but preserves them entire , knowing that if she treats them ...
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published by the Chi Delta Theta Literary Society | 1 |
NOVEMBER ISSUE NUMBER 3 | 3 |
Contents | 1 |
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