The Yale Literary Magazine, Bind 117,Oplag 3Yale Literary Society, 1949 |
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Side 34
... performance facilities for chamber and orchestral groups . Koussevitzky's benevolently despotic rule is evidenced by the continual recurrence of his name , prefaced by " Dr. " , on just about every- thing except the sheet music ...
... performance facilities for chamber and orchestral groups . Koussevitzky's benevolently despotic rule is evidenced by the continual recurrence of his name , prefaced by " Dr. " , on just about every- thing except the sheet music ...
Side 35
... performance at Tanglewood several seasons ago , would surely have been pleased with the polish of this more recent achieve- ment . The opera itself , although its point was curiously missed by most critics , is unmistakably excellent ...
... performance at Tanglewood several seasons ago , would surely have been pleased with the polish of this more recent achieve- ment . The opera itself , although its point was curiously missed by most critics , is unmistakably excellent ...
Side 36
... performance by Yvonne Loriod in Paris , says Messiaen , " put the critics into a literal fury " ; but after a tour of all the major European cities , return to Paris one year later found critics ready to listen intelligently . An ...
... performance by Yvonne Loriod in Paris , says Messiaen , " put the critics into a literal fury " ; but after a tour of all the major European cities , return to Paris one year later found critics ready to listen intelligently . An ...
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