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Side 21
Perhaps because of our subordinate social position and cultural position as “ other , " we are more “ embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world .
Perhaps because of our subordinate social position and cultural position as “ other , " we are more “ embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world .
Side 29
Failing a mirror , the instructor usually faces toward the class and acts as the mirror image to be copied , often on a dias or elevated position . On televised exercise programming , the leader on screen is offered to us as a model for ...
Failing a mirror , the instructor usually faces toward the class and acts as the mirror image to be copied , often on a dias or elevated position . On televised exercise programming , the leader on screen is offered to us as a model for ...
Side 123
Within the postmodern world of TV , are we forced to accept a post - feminist position - a question raised explicitly by Rosalind Coward and Patricia Holland and suggested by other contributors to Boxed In ? In an attempt to tackle ...
Within the postmodern world of TV , are we forced to accept a post - feminist position - a question raised explicitly by Rosalind Coward and Patricia Holland and suggested by other contributors to Boxed In ? In an attempt to tackle ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic American analysis Andreas Huyssen architectural Art of Noise audience avantgarde banality Baudrillard become body cassette cinema claims of purity contemporary context criminal critical critique cultural studies Dallas day-time law Deleuze Derrida discourse essays Eternal Frame example exercise farm father female feminine feminism feminist film Fonda Freud function futurist gender genre Heartbreak Ridge Hill Street Blues ideal ideological issue Jane Jane Fonda kitsch Kuzak L.A. Law Lacan law show lawyer letter literally male mass culture means mirror modern narrative noise notion performance political popular culture position postmodern practice production programming punk relation representation represented Russolo sexual Shamberg soap opera social space spatial spectacle spectator story storyline strategies structure suggests symbolic Tania Modleski tape television Teresa de Lauretis theater theory tion traditional trans transgression viewers voice woman women writing York