Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 101988 |
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Side 57
... male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors , the ...
... male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors , the ...
Side 59
... male feminism are certainly striking . Yet even more striking are the affinities between male feminism and the day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine ...
... male feminism are certainly striking . Yet even more striking are the affinities between male feminism and the day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine ...
Side 75
... male concern to critique war and male sexuality and male aggression , it remains for women to continue to claim the right to be taken seriously as authorities - and in fact there has recently been a surge of interest on the part of ...
... male concern to critique war and male sexuality and male aggression , it remains for women to continue to claim the right to be taken seriously as authorities - and in fact there has recently been a surge of interest on the part of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic American analysis Andreas Huyssen architectural Art of Noise audience avantgarde banality Baudrillard become body cassette cinema claims of purity contemporary context criminal critical critique cultural studies Dallas day-time law Deleuze Derrida discourse essays Eternal Frame example exercise farm father female feminine feminism feminist film Fonda Freud function futurist gender genre Heartbreak Ridge Hill Street Blues ideal ideological issue Jane Jane Fonda kitsch Kuzak L.A. Law Lacan law show lawyer letter literally male mass culture means mirror modern narrative noise notion performance political popular culture position postmodern practice production programming punk relation representation represented Russolo sexual Shamberg soap opera social space spatial spectacle spectator story storyline strategies structure suggests symbolic Tania Modleski tape television Teresa de Lauretis theater theory tion traditional trans transgression viewers voice woman women writing York