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Side 125
A nodal point between the two sides of the film ( Jane's initial story of pioneer spirit versus her growing love for the new world of show ) , the tractor soon ceases to bear any reference to its farm function and be- comes instead the ...
A nodal point between the two sides of the film ( Jane's initial story of pioneer spirit versus her growing love for the new world of show ) , the tractor soon ceases to bear any reference to its farm function and be- comes instead the ...
Side 128
After the credit sequence , the camera cranes across a farm yard and then moves up to a window through which we see Jane Falbury singing in the shower . An opening based on display : within the frame formed by the open window ...
After the credit sequence , the camera cranes across a farm yard and then moves up to a window through which we see Jane Falbury singing in the shower . An opening based on display : within the frame formed by the open window ...
Side 129
To be sure , one could read the opening of the film as the initiation of a classic Oedipal trajectory : the fleeting first images of Jane in the shower might seem to set her up as a figure of an Imaginary plenitude that the rest of the ...
To be sure , one could read the opening of the film as the initiation of a classic Oedipal trajectory : the fleeting first images of Jane in the shower might seem to set her up as a figure of an Imaginary plenitude that the rest of the ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic American analysis Andreas Huyssen architectural Art of Noise audience avantgarde banality Baudrillard become body cassette cinema claims of purity contemporary context criminal critical critique cultural studies Dallas day-time law Deleuze Derrida discourse essays Eternal Frame example exercise farm father female feminine feminism feminist film Fonda Freud function futurist gender genre Heartbreak Ridge Hill Street Blues ideal ideological issue Jane Jane Fonda kitsch Kuzak L.A. Law Lacan law show lawyer letter literally male mass culture means mirror modern narrative noise notion performance political popular culture position postmodern practice production programming punk relation representation represented Russolo sexual Shamberg soap opera social space spatial spectacle spectator story storyline strategies structure suggests symbolic Tania Modleski tape television Teresa de Lauretis theater theory tion traditional trans transgression viewers voice woman women writing York