Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 23Indiana University Press, 2001 |
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Side 114
... Miguel , without being seen , repeats Raúl's previous ac- tions , donning the pasamontañas and speaking the same lines . This theatrical déjà vu underscores Laura's lack of social options . Miguel tries to win her over , but it is ...
... Miguel , without being seen , repeats Raúl's previous ac- tions , donning the pasamontañas and speaking the same lines . This theatrical déjà vu underscores Laura's lack of social options . Miguel tries to win her over , but it is ...
Side 115
... Miguel and Raúl , by putting on the face mask , have become Marcos - they take on Marcos's identity ; yet their words and actions show them to be enemies of so- cial progress . Miguel , who is a silent witness during most of the play ...
... Miguel and Raúl , by putting on the face mask , have become Marcos - they take on Marcos's identity ; yet their words and actions show them to be enemies of so- cial progress . Miguel , who is a silent witness during most of the play ...
Side 116
... Miguel's interruption , soon uses these doubly prescribed lines to convince Laura to stop being " idiotic " : RAÚL ... Miguel expresses the way he and Raúl feel : " Todas son una incógnita " ( All women are enigmas [ 58 ] ) . Laura's ...
... Miguel's interruption , soon uses these doubly prescribed lines to convince Laura to stop being " idiotic " : RAÚL ... Miguel expresses the way he and Raúl feel : " Todas son una incógnita " ( All women are enigmas [ 58 ] ) . Laura's ...
Indhold
On the Digital and Allegorical Economy | 4 |
Colonial Ambivalence and | 25 |
World Music Does Not Exist | 44 |
Copyright | |
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