 Shakespeare, that he assumes, as an unquestionable principle, a position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatick fable...  William Shakespeare: The Critical Heritage - Side 15redigeret af - 1995 - 568 siderBegrænset visning - Om denne bog
 | Samuel Johnson - 1765 - 80 sider
...into words, his underftanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a fingle moment, was ever credited. The objection arifing from the impoflibility of paffmg the firft... | |
 | William Shakespeare - 1768 - 676 sider
...into words, his underftanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a fingle moment, was ever credited. The objection anting from the impofiibility of paffing the firft... | |
 | Samuel Johnson - 1774 - 412 sider
...into Words, his Underftanding pronounces to be falfe. It is falfe, that any Reprefentation is miftaken for Reality ; that any dramatick Fable, in its Materiality, was ever credible, or, for a fingle Moment, was ever credited. The Objection arifing from the Impoffibility of palling the firft... | |
 | Samuel Johnson, John Hawkins - 1787 - 500 sider
...words, his underftanding pronounces to be falfe. It is falfe, that any reprefentation. is miftaken for reality; that any dramatick fable in its materiality was ever credible, or, for a fingle moment, was ever credited. The objeftion arifing from the impoffibility of pafllng the firft... | |
 | William Shakespeare - 1788 - 346 sider
...position, which, while his breath is forming it into .M prds, his understanding pronounces to be false. It is false, that any representation is mistaken for...fable, in its materiality, was ever credible, or, fora single moment, was ever credited. The objeftion arising from the impossibility of passing the... | |
 | William Shakespeare - 1793 - 860 sider
...into words, his underftanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a finglc moment, was ever credited. The objection arifing from the impoffibility of pafling the firft... | |
 | Samuel Johnson - 1801 - 454 sider
...into words his underftanding pronounces to be falie. It is falfe, that any reprefentation is miftaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a (ingle moment, was ever credited. The objection arifing from the impoffibility of paffing the firft... | |
 | William Shakespeare - 1803 - 494 sider
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare, George Steevens, Samuel Johnson - 1803 - 542 sider
...which, while his breath is forming it into words, his underftanding pronounces to be falfe. It is falfe, that any representation is mistaken for reality ;...fable in its materiality was ever credible, or, for a fingle moment, was ever credited. The objection, arifing from the impoflibility of paffing the firft... | |
 | William Shakespeare - 1802 - 422 sider
...into words, his underftanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a fmgle moment, was ever credited. The objection arifing from the impofiibility of pafiing the firft... | |
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