Discourse, Bind 21,Oplag 1–21999 |
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Side 23
... thought draw to a close through the feverish evo- cation of Rumi's final resting place in Konya , where calligraphy as text invades the hangings , gilded mouldings , embroidered velvet , colors - red , black , green , gold letters - and ...
... thought draw to a close through the feverish evo- cation of Rumi's final resting place in Konya , where calligraphy as text invades the hangings , gilded mouldings , embroidered velvet , colors - red , black , green , gold letters - and ...
Side 86
... thought - which , for me , is the very thought of this film —is a difficult thought , perhaps the most difficult . It's a slow thought , always under way , fraying a path so that the path itself becomes thought . It is that which frays ...
... thought - which , for me , is the very thought of this film —is a difficult thought , perhaps the most difficult . It's a slow thought , always under way , fraying a path so that the path itself becomes thought . It is that which frays ...
Side 52
... thought , one that is subversive of the indi- viduating forces of capital and the rationalizing forces of the state ( Chatterjee ) . " Capital " emerges as the new master narrative in Western thought which then restructures community in ...
... thought , one that is subversive of the indi- viduating forces of capital and the rationalizing forces of the state ( Chatterjee ) . " Capital " emerges as the new master narrative in Western thought which then restructures community in ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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