Discourse, Bind 21,Oplag 1–21999 |
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Side 29
... remains . ( Wajid ad - Din Diyā ' ) It was a type of spectacle perpetrated with dissemination throughout the south - Mediterranean of the Turkish character of Karakuz , delighting in a disrespectful , obscene , pornographic , and ...
... remains . ( Wajid ad - Din Diyā ' ) It was a type of spectacle perpetrated with dissemination throughout the south - Mediterranean of the Turkish character of Karakuz , delighting in a disrespectful , obscene , pornographic , and ...
Side 82
... remains television . Just as the film remains a film , and never lets us forget it - precisely by means of its contrasts and its insistence on the framing - always the car , its windows , its doors , and the sides of the road , always ...
... remains television . Just as the film remains a film , and never lets us forget it - precisely by means of its contrasts and its insistence on the framing - always the car , its windows , its doors , and the sides of the road , always ...
Side 84
... remains at the same time at a distance from the image , and from the noise of the motor , just as the camera stays at a distance from the car that moves away , and that the film remains at a distance from life which it continues and ...
... remains at the same time at a distance from the image , and from the noise of the motor , just as the camera stays at a distance from the car that moves away , and that the film remains at a distance from life which it continues and ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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