Discourse, Bind 21,Oplag 1–21999 |
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Side 64
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
Side 23
... figure ballooned to an enormous size , a figure made more bizarre by the exaggerated femininity of her attire : a pastel colored dress and pink bows in her hair . This apparition not surprisingly inspires terror among the office workers ...
... figure ballooned to an enormous size , a figure made more bizarre by the exaggerated femininity of her attire : a pastel colored dress and pink bows in her hair . This apparition not surprisingly inspires terror among the office workers ...
Side 27
... figure of Falstaff masquerading as a woman in The Merry Widow ( Parker 8-35 ) . A second archetype spinning off the Circe figure is that of the female poisoner . In Venomous Woman , Margaret Hallissy explores a tradition of female ...
... figure of Falstaff masquerading as a woman in The Merry Widow ( Parker 8-35 ) . A second archetype spinning off the Circe figure is that of the female poisoner . In Venomous Woman , Margaret Hallissy explores a tradition of female ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Ahmed Kamal altruism Angeles appears Arab argue Ashik Kerib Ayyub becomes behavior biological body brain breast cancer Brother character cinema cognitive science concept context cool violence Cousin critical culture Delhi discourse doctor dream El-Badawy emotional intelligence example fact fag hag feel female feminine feminist fiction film filmmaker Frankie Frankie's Fuentes gay identity gender Goleman Guns Haraway heterosexual Hindu homosexuality human ideology Indian interpretations interview John Sayles language Leer lives look lumpectomy male mastectomy means Men With Guns metaphors modern moral moves movie Murad Muslims narrative Natalie Natalie's nation Paradjanov's parody pastiche political popular postmodern present produced question Qur'an Ramayan relations relationship reproduction Sayat Nova Sayles scene Sedgwick sense serial sexual shot social society space spatial story straight women studies symbolic Tank Girl television theory tion traditional turns Ulysses Uncle viewers Wanys woman York