Discourse, Bind 21,Oplag 1–21999 |
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Side 96
... face rises up in the frame as Brother drops down . Another heavy thud . Then Brother rises up behind Uncle and stands peering into the darkness before him . Uncle moves forward into a dark tunnel cut in the mountain - rock . Wanys ...
... face rises up in the frame as Brother drops down . Another heavy thud . Then Brother rises up behind Uncle and stands peering into the darkness before him . Uncle moves forward into a dark tunnel cut in the mountain - rock . Wanys ...
Side 182
... face ( visage ) which , in the final analysis , makes him exist as visible other . As Lévinas noted , I cannot easily kill someone whose face I can see . In effect , it has always been difficult for torturers to see the faces of their ...
... face ( visage ) which , in the final analysis , makes him exist as visible other . As Lévinas noted , I cannot easily kill someone whose face I can see . In effect , it has always been difficult for torturers to see the faces of their ...
Side 184
... face ( face ) . But the face is precisely not the Face ( visage ) , and the whole question is perhaps there , between these two words . The only image that exists in the Arab world is that of the Leader . In France there remains ...
... face ( face ) . But the face is precisely not the Face ( visage ) , and the whole question is perhaps there , between these two words . The only image that exists in the Arab world is that of the Leader . In France there remains ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Ahmed Kamal altruism Angeles appears Arab argue Ashik Kerib Ayyub becomes behavior biological body brain breast cancer Brother character cinema cognitive science concept context cool violence Cousin critical culture Delhi discourse doctor dream El-Badawy emotional intelligence example fact fag hag feel female feminine feminist fiction film filmmaker Frankie Frankie's Fuentes gay identity gender Goleman Guns Haraway heterosexual Hindu homosexuality human ideology Indian interpretations interview John Sayles language Leer lives look lumpectomy male mastectomy means Men With Guns metaphors modern moral moves movie Murad Muslims narrative Natalie Natalie's nation Paradjanov's parody pastiche political popular postmodern present produced question Qur'an Ramayan relations relationship reproduction Sayat Nova Sayles scene Sedgwick sense serial sexual shot social society space spatial story straight women studies symbolic Tank Girl television theory tion traditional turns Ulysses Uncle viewers Wanys woman York