Discourse, Bind 21,Oplag 1–21999 |
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Side 105
... Murad . A Cousin : Since when did they arrive ? You never mentioned them before . Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad ...
... Murad . A Cousin : Since when did they arrive ? You never mentioned them before . Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad ...
Side 111
... Murad's Hiding Place Murad bows in the doorway , revealing Zyna irritated and confused . Murad ( apologizing ) : Master Wanys , do come in from that dusty wind . ( He steps back ) No one should see us together : neither the Effendies ...
... Murad's Hiding Place Murad bows in the doorway , revealing Zyna irritated and confused . Murad ( apologizing ) : Master Wanys , do come in from that dusty wind . ( He steps back ) No one should see us together : neither the Effendies ...
Side 120
... Murad ( lamenting ) : I am a poor wretch hated by all ... Wanys pulls him up . Wanys : Prove your words ! Who killed him ? Speak ! Murad : The boat he set sail upon bears the sign of two hands in the form of a butterfly . It is anchored ...
... Murad ( lamenting ) : I am a poor wretch hated by all ... Wanys pulls him up . Wanys : Prove your words ! Who killed him ? Speak ! Murad : The boat he set sail upon bears the sign of two hands in the form of a butterfly . It is anchored ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Ahmed Kamal altruism Angeles appears Arab argue Ashik Kerib Ayyub becomes behavior biological body brain breast cancer Brother character cinema cognitive science concept context cool violence Cousin critical culture Delhi discourse doctor dream El-Badawy emotional intelligence example fact fag hag feel female feminine feminist fiction film filmmaker Frankie Frankie's Fuentes gay identity gender Goleman Guns Haraway heterosexual Hindu homosexuality human ideology Indian interpretations interview John Sayles language Leer lives look lumpectomy male mastectomy means Men With Guns metaphors modern moral moves movie Murad Muslims narrative Natalie Natalie's nation Paradjanov's parody pastiche political popular postmodern present produced question Qur'an Ramayan relations relationship reproduction Sayat Nova Sayles scene Sedgwick sense serial sexual shot social society space spatial story straight women studies symbolic Tank Girl television theory tion traditional turns Ulysses Uncle viewers Wanys woman York