The Yale Literary Magazine, Bind 117,Oplag 1Yale Literary Society, 1949 |
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Side 9
... Strauss was one of the few great composers who prolonged 19th Century " decadence " into a suc- cessful art form , even during the 20th . The chiefly Teutonic musical heritage of these composers was perhaps more profoundly exploited by ...
... Strauss was one of the few great composers who prolonged 19th Century " decadence " into a suc- cessful art form , even during the 20th . The chiefly Teutonic musical heritage of these composers was perhaps more profoundly exploited by ...
Side 10
... Strauss for not repeating himself as the composer of lurid ELEKTRA , would certainly have howled louder still had he done as they wished . Almost unique in its excellence , however , is the opera ARIADNE AUF NAXOS which Strauss ...
... Strauss for not repeating himself as the composer of lurid ELEKTRA , would certainly have howled louder still had he done as they wished . Almost unique in its excellence , however , is the opera ARIADNE AUF NAXOS which Strauss ...
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agents of law Alice Began amusement park belts Bobby's boys Bronson Burnt Norton Camels campus Chapel Chesterfield companion concert critics darkness death Dolwyn Dry Salvages East Coker Edith Evans Eliot's existence face faith feels feet fertility legends film final follow Four Quartets freckled gallery Germany Year Zero girl goal hands hears Heraclitean hope kids laughed Lieutenant asked Little Gidding looked man's Margery modern musical never nigger November October one's opera pianist piano plight Poetry Of T. S. Prufrock purgation redemption Richie Richie's Ricky Robert Turner roller coaster RONALD PAULSON Rosselini scene secular smiled spiritual story Strauss street struggle superb Sweeney swung symbolic Symphony T. S. Eliot teeth theme There's things told Bobby tone-poems took tragedy Tragic View turned voice waiting want to play Waste Land white gloves woman Woolsey at 8:30 words Yale Literary Magazine