King LearThomas Nelson and Sons, 1997 - 437 sider In this edition, R.A. Foakes brings to bear a number of historical perspectives and critically addresses recent explorations of King Lear as a play of redemption, a play of despair and a play that destabilizes all commentary. Included is a composite text of Quarto and Folio versions, which allows readers to make their own editorial judgements. |
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Side 136
... Lear as the Fool's straight man , and in later scenes the Fool's role changes to that of a choric commentator , as Lear increas- ingly loses touch with him . Even so , two lines were added in 3.4 in F to renew Lear's sympathy with his ...
... Lear as the Fool's straight man , and in later scenes the Fool's role changes to that of a choric commentator , as Lear increas- ingly loses touch with him . Even so , two lines were added in 3.4 in F to renew Lear's sympathy with his ...
Side 137
... Lear's attention . The Folio makes more consistent the growing separation between them , but does not diminish the complexity of the character . He is not seen again after his exit in 3.6 , perhaps because Lear himself in his madness ...
... Lear's attention . The Folio makes more consistent the growing separation between them , but does not diminish the complexity of the character . He is not seen again after his exit in 3.6 , perhaps because Lear himself in his madness ...
Side 256
... Lear's verbal rejection of tears as feminine , as unmanning him , actors such as Garrick and Irving have wept or sobbed as they left the stage here , recalling Lear's hot tears shed at 1.4.290 when Goneril first shakes his manhood ( 1.4 ...
... Lear's verbal rejection of tears as feminine , as unmanning him , actors such as Garrick and Irving have wept or sobbed as they left the stage here , recalling Lear's hot tears shed at 1.4.290 when Goneril first shakes his manhood ( 1.4 ...
Indhold
Two textual problems | 393 |
Lineation | 403 |
Abbreviations and references | 416 |
Copyright | |
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action actors Adrian Noble Albany Albany's Ard² audience bastard Blayney blind Bratton Brownlow Burgundy Cam² Capell Cordelia Cornwall daughters death Dent disguised Duke Duke of Cornwall echo Edgar edited Edmund Enter Exeunt Exit eyes father Folio text follow Fool Fool's foul papers Gentleman give Gloucester Gloucester's gods Goneril and Regan Harsnett hath heart Holinshed Hunter i'the idea Introduction Kent Kent's King Lear King of France kingdom knights Lear's Leir letter line Q lord madam meaning nature noble nuncle o'the omitted opening scene Oswald Paul Scofield perhaps play Poor Poor Tom Pope printed prose Q Q and F Q lines Q SD Quarto reference role Rosenberg royal royal plural Royal Shakespeare Theatre seems sense servant Shakespeare sister speak speech stage storm suggests textual notes Theatre thee Theobald thine thou tion verse words