The philosophy of the human voice: embracing its physiological history [&c.].Grigg & Elliott, 1833 - 432 sider |
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Side xix
... illustrated by some analo- gous notation , and his erroneous diagrams of the progress of pitch , are instances of a want of reflection and of obtuseness of ear , which would be quite reprehensible in any one , who , with- out compulsion ...
... illustrated by some analo- gous notation , and his erroneous diagrams of the progress of pitch , are instances of a want of reflection and of obtuseness of ear , which would be quite reprehensible in any one , who , with- out compulsion ...
Side 31
... sounds . Some at- tempt towards this kind of illustration has been made , by vari- ously distinguishing the singing voice , according to its resem- Of the General Divisions of Vocal Sound, with a more particular account of its Pitch,
... sounds . Some at- tempt towards this kind of illustration has been made , by vari- ously distinguishing the singing voice , according to its resem- Of the General Divisions of Vocal Sound, with a more particular account of its Pitch,
Side 33
... illustration , have recourse to a living instructor . He can generally find at hand instrumental perform- ers , or singing masters , or the precentor of some neighbouring church , who will exemplify to his satisfaction all that is ...
... illustration , have recourse to a living instructor . He can generally find at hand instrumental perform- ers , or singing masters , or the precentor of some neighbouring church , who will exemplify to his satisfaction all that is ...
Side 36
... illustration of these terms , as applied to the two kinds of quantity in musical sound , is furnished by the form of a ladder , in which the side rails represent the concrete , and the rounds the discrete . * The well informed reader ...
... illustration of these terms , as applied to the two kinds of quantity in musical sound , is furnished by the form of a ladder , in which the side rails represent the concrete , and the rounds the discrete . * The well informed reader ...
Side 37
... , as they are called , and a rear row of black ones : an illustration of the forms and positions of which is given in the following diagram ; where a portion of the Great Scale or Compass of the instrument DIVISIONS AND DEFINITIONS . 37.
... , as they are called , and a rear row of black ones : an illustration of the forms and positions of which is given in the following diagram ; where a portion of the Great Scale or Compass of the instrument DIVISIONS AND DEFINITIONS . 37.
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The Philosophy of the Human Voice: Embracing Its Physiological History ... James Rush Ingen forhåndsvisning - 2023 |
Almindelige termer og sætninger
a-we accent applied arsis and thesis aspiration atonic cadence called chromatic melody concrete movement concrete rise consists constituent continued crete current melody degree descending diatonic melody diatonic scale dignity diphthongal discourse discrete distinction downward concrete downward vanish drift effect elocution emphasis emphatic employed English language equable concrete equal execution expression falsette faults fifth force fulness function give glottis heard higher intervals human voice immutable syllables impulse indefinite interrogative inverted long quantity means ment minor third mode of intonation musical nature notation octave orotund passion pause peculiar perception phatic phrases plaintive produced prolonged pronunciation purpose radical and vanishing radical pitch radical stress reader require rythmus scale semitone sentence sentiments short simple rise song sound speaker speaking speech subtonic succession tion tone tonic elements tremor tremulous utterance uvula vanishing movement vanishing stress varied vocal voice wave whilst words
Populære passager
Side 304 - Thy suppliant I beg, and clasp thy knees ; bereave me not, Whereon I live, thy gentle looks, thy aid, Thy counsel, in this uttermost distress, My only strength and stay ; forlorn of thee, Whither shall I betake me, where subsist ? While ^ret we live, scarce one short hour perhaps, Between us two let there be peace...
Side 146 - So spake the Seraph Abdiel, faithful found; Among the faithless faithful only he ; Among innumerable false unmoved, Unshaken, unseduced, unterrified, His loyalty he kept, his love, his zeal ; 900 Nor number nor example with him wrought To swerve from truth, or change his constant mind, Though single.
Side 309 - On heaven's azure; and the torrid clime Smote on him sore besides, vaulted with fire. Nathless he so endured, till on the beach Of that inflamed sea he stood, and called His legions — angel forms, who lay entranced. Thick as autumnal leaves that strow the brooks In Vallombrosa, where the Etrurian shades High overarched embower...
Side 58 - The little engine on his fingers' ends; This just behind Belinda's neck he spread, As o'er the fragrant steams she bends her head. Swift to the lock a thousand sprites repair...
Side 154 - First, Moloch, horrid King, besmeared with blood Of human sacrifice, and parents' tears; Though, for the noise of drums and timbrels loud, Their children's cries unheard that passed through fire To his grim idol.
Side 57 - Hampton takes its name, Here Britain's statesmen oft the fall foredoom Of foreign tyrants, and of nymphs at home ; Here thou, great ANNA ! whom three realms obey, Dost sometimes counsel take— and sometimes tea. Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court ; In various talk th...
Side 365 - When I took the first survey of my undertaking, I found our speech copious without order, and energetick without rules: wherever I turned my view, there was perplexity to be disentangled, and confusion to be regulated...
Side 245 - Pity the sorrows of a poor old man ! Whose trembling limbs have borne him to your door, Whose days are dwindled to the shortest span ; Oh ! give relief, and Heaven will bless your store.
Side 305 - Against God only ; I against God and thee, And to the place of judgment will return, There with my cries importune Heaven, that all The sentence, from thy head removed, may light On me, sole cause to thee of all this woe, Me, me only, just object of His ire.