The Cultural Uses of the Caesars on the English Renaissance StageRoutledge, 16. mar. 2016 - 168 sider Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs. |
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... actually Lady Ralegh, its meaning is clear: it encodes defiance to the rule of a Renaissance monarch, and it represents that monarch as a Caesar. 8 7 Roy Kendall, Christopher Marlowe and Richard Baines: Journeys through the Elizabethan ...
... actually Lady Ralegh, its meaning is clear: it encodes defiance to the rule of a Renaissance monarch, and it represents that monarch as a Caesar. 8 7 Roy Kendall, Christopher Marlowe and Richard Baines: Journeys through the Elizabethan ...
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... actually refers to supporters of Marius, but its resonances for an early modern audience would be very different, evoking the name of the Virgin Mary, while James I described the Catholic conspirator Guy Fawkes 'as seeming to put on “a ...
... actually refers to supporters of Marius, but its resonances for an early modern audience would be very different, evoking the name of the Virgin Mary, while James I described the Catholic conspirator Guy Fawkes 'as seeming to put on “a ...
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... actually profoundly related to England and its traditions, which not only sharpens the perception of the parallel with Monmouth, but also ironically underlines the extent to which this is a strategy with a proven track record with ...
... actually profoundly related to England and its traditions, which not only sharpens the perception of the parallel with Monmouth, but also ironically underlines the extent to which this is a strategy with a proven track record with ...
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Indhold
Hamlet among the Romans | |
Caesar and the Czar | |
Pocahontas and The Winters Tale | |
The Romans in Britain | |
Cymbeline | |
He Claudius | |
Conclusion | |
Index | |
Andre udgaver - Se alle
The Cultural Uses of the Caesars on the English Renaissance Stage Professor Lisa Hopkins Begrænset visning - 2013 |
The Cultural Uses of the Caesars on the English Renaissance Stage Lisa Hopkins Begrænset visning - 2008 |
The Cultural Uses of the Caesars on the English Renaissance Stage Lisa Hopkins Begrænset visning - 2016 |
Almindelige termer og sætninger
Aeneas Aeneid Agrippina allusion Andrew Hadfield Antony and Cleopatra argues Asia associated Augustus Basingstoke Bassianus Britain British Brutus Caesar and Pompey Caesar’s Revenge Caesarian Cambridge University Press Catholic Charles Christopher Marlowe Claudius contemporary cultural Cymbeline death declares Dido Early Modern England early modern English Early Modern Literary edition and reference Elizabeth Elizabethan English Renaissance Europe father figure further quotations Geoffrey of Monmouth Goths gypsies Hamlet Harmondsworth identity Innogen Ireland James James’s Jonson Julius Caesar King Locrine London Lucius Lucrece Manchester University Press Marcellus Mark Thornton Marlowe’s Modern Literary Studies myth notably Notes and Queries Online Ottoman Oxford Palgrave Penguin Philadelphvs play’s Pocahontas points political Prince Henry Princess Renaissance Drama Renaissance Literature Richard Roman plays Rome Rome’s says Scotland Scots Scottish Scythians seems Shakespeare Quarterly story suggests Tamburlaine Tarquin Tiberius Nero Titus Andronicus Tragedy translatio imperii Trojans Troy Turks violence Virgilian Virginia William Shakespeare Winter’s Tale