To sign away the Rights of Man To Russian threats and Austrian juggle; And leave the sinking African1 To fall without one saving struggle'Mong ministers from North and South, To show his lack of shame and sense, And hoist the sign of "Bull and Mouth" For blunders and for eloquence! In vain we wish our Secs. at home2 To mind their papers, desks, and shelves, If silly Secs. abroad will roam And make such noodles of themselves. But such hath always been the case- 4 First, PITT, the chosen of England, taught her When each, in turn, had run their rigs, When these, in turn, were put to flight, too, Illustrious T-MP-E flew away With lots of pens he had no right to!" In short, what will not mortal man do! And now, that-strife and bloodshed pastWe've done on earth what harm we can do, We gravely take to Heaven at last;" And think its favouring smile to purchase (Oh Lord, good Lord!) by-building churches! No. IV. BOB GREGSON, POET LAUREATE OF THE FANCY. "For hitting and getting away (says the elegant Author of Boriana) RICHMOND is distinguished; and the brave MOLINEUX keeps a strong hold in the circle of boxers, as a pugilist of the first class; while 1 -præcipitem Africum Decertantem Aquilonibus. 2 Nequicquam Deus abscidit Prudens oceano dissociabili Terras, si tamen impia Non tangenda Rates transiliunt vada. This last line, we may suppose, alludes to some distinguish-Are bright as the gems that the first Jew2 of morning ed Rats that attended the voyager. 3 Audax omnia perpeti Gens ruit per vetitum nefas. 4 Audax Japeti genus Ignem fraude mala gentibus intulit. 5 Post 6 -macies, et nova febrium Terris incubuit cohors. -tarda necessitas the CHAMPION OF ENGLAND stands unrivalled for his punishment, game, and milling on the retreat!-but, notwithstanding the above variety of qualifications, it has been reserved for BOB GREGSON, alone, from his union of PUGILISM and POETRY, to recount the deeds of his Brethren of the Fist in heroic verse, like the bards of old, sounding the praises of their warlike champions." The same author also adds, that "although not possessing the terseness and originality of Dryden, or the musical cadence and correctness of Pope, yet still BoB has entered into his peculiar subject with a characteristic energy and apposite spirit." Vol. i. p. 357. This high praise of Mr. GREGSON's talents is fully borne out by the specimen which his eulogist has given, page 358-a very spirited Chaunt, or Nemean ode, entitled "British Lads and Black Millers." The connexion between poetical and pugnacious propensities seem to have been ingeniously adumbrated by the ancients, in the bow with which they armed Apollo: Φοίβω γαρ και ΤΟΞΟΝ επιτρέπεται και ΑΟΙΔΗ. The same mythological bard informs us that, when Minerva bestowed the gift of inspiration upon Tiresias, she also made him a present of a large cudgel: Λωσω και ΜΕΓΑ ΒΑΚΤΡΟΝ: another evident intimation of the congeniality supposed to exist between the exercises of the Imagination and those of THE FANCY. To no one at the present day is the double wreath more justly due than to Mr. BOB GREGSON. In addition to his numerous original productions, he has condescended to give imitations of some of our living poets-particularly of Lord Byron and Mr. Moore; and the amatory style of the latter gentleman has been caught, with peculiar felicity, in the following lines, which were addressed, some years ago, to Miss GRACE MADDOX, a young Lady of pugilistic celebrity, of whom I have already made honourable mention in the Preface. LINES TO MISS GRACE MADDOX, THE FAIR PUGILIST. SWEET Maid of the Fancy!-whose ogles,' adorning Lethi corripuit gradum. 7 Expertus vacuum Dædalus aëra Pennis non homini datis. This allusion to the 12001. worth of stationary, which his Lordship ordered, when on the point of vacating his place, is particularly happy.-ED. 8 Nil mortalibus arduum est. 9 Cœlum ipsum petimus stultitia. Hawks round Covent-Garden, 'mid cart-loads of flowers! Oh Grace of the Graces! whose kiss to my lip At the first blush of dawn, in the Tap of the Finish!4 1 Eyes. 2 By the trifling alteration of "dew" into "Jew," Mr.. of Moore's poetry, viz. dews, gems, and flowers, into the Gregson has contrived to collect the three chief ingredients short compass of these two lines. 3 Highwaymen. 4 See Note, page 193. Brandy and tea is the favourite beverage at the Finish. Ah, never be false to me, fair as thou art, Yet, who would not prize, beyond honours and pelf, And the Lady he woos is a rich and a rare one; His heart is in Chancery, every one knows, And so would his head be, if thou wert his fair one. Sweet Maid of the Fancy! when love first came o'er me, I felt rather queerish, I freely confess; But now I've thy beauties each moment before me, The pleasure grows more, and the queerishness less. Thus a new set of darbies,' when first they are worn, Makes the Jail-bird2 uneasy, though splendid their ray; But the links will lie lighter the longer they're borne, And the comfort increase, as the shine fades away! I had hoped that it would have been in my power 'to gratify the reader with several of Mr. GREGSON'S lyrical productions, but I have only been able to procure copies of Two Songs, or Chaunts, which were written by him for a Masquerade, or Fancy Ball, given lately at one of the most Fashionable Cock-andHen clubs in St. Giles's. Though most of the company were without characters, there were a few very lively and interesting maskers; among whom, we particularly noticed BILL RICHMOND, as the Emperor of Hayti, attended by SUTTON, as a sort of black Mr. V-NS-T-T; and IKEY PIG made an excellent L-s D-XH-T. The beautiful Mrs. CROCKEY,4 who keeps the Great Rag Shop in Bermondsey, went as the Old Lady of Threadneedle Street. She was observed to flirt a good deal with the black Mr. V—NS—T—T, but, to do her justice, she guarded her "Hesperidum mala" with all the vigilance of a dragoness. JACK HOLMES," the pugilistic Coachman, personated Lord C-ST-R-GH, and sang in admirable style Ya-hip, my Hearties! here am I That drive the Constitution Fly. This Song (which was written for him by Mr. GREGSON, and in which the language and sentiments of Coachee are transferred so ingeniously to the Noble person represented) is as follows: YA-HIP, MY HEARTIES! Sung by JACK HOLMES, the Coachman, at a late Masquerade in St. Giles's, in the character of Lord C-ST-R-GH. I FIRST was hired to peg a Hack1 So, ya-hip, Hearties! here am I Some wonder how the Fly holds out, So, ya-hip, Hearties! etc. Some wonder, too, the tits that pull And then so sociably we ride!- So, ya-hip, Hearties! etc. 1 To drive a hackney coach. Hack, however, seems in this place to mean an old broken down stage-coach. 2 To talk slang, parliamentary or otherwise. 3 Horses. 4 Money. 5 A process carried on successfully under the Roman Emperors, as appears from what Tacitus says of the "Instrumenta Regni."-To tool is a technical phrase among the Knights of the Whip; thus, that illustrious member of the Society, Richard Cypher, Esq. says: "I've dash'd at every thing-pegg'd at a jervy-tool'd a mail-coach." 6 Money. 7 In Mr. Gregson's MS. these words are spelled "knaves and fellows," but I have printed them according to the proper wheelright orthography." 8 The extent of Mr. Gregson's learning will, no doubt, astonish the reader; and it appears by the following lines, from a Panegyric written upon him, by One of the Fancy, that he is also a considerable adept in the Latin language "As to sciences-Boв knows a little of all, And, in Latin, to show that he's no ignoramus, The other song of Mr. Gregson, which I have been | And pring avay all de long speeches at vonce, lucky enough to lav hold of, was sung by Old Dat else vould, like tape-vorms, come by degrees! Prosy, the Jew, who went in the character of Major Vill nobodies try my nice Annual Pill, C-Rtw—ght, and who having been, at one time Dat 's to purify every ting nashty avay? of his life, apprentice to a mountebank doctor, was Pless ma heart, pless ma heart, let ma say vat I vill, able to enumerate, with much volubility, the virtues Not a Chrishtian or Shentleman minds vat I say! of a certain infallible nostrum, which he called his Annual Pill. The pronunciation of the Jew added considerably to the effect. No. V. The following poem is also from the Morning Chronicle, Sung by OLD Prosy, the Jew, in the Character of Major and has every appearance of being by the same pen as C-RTW-GHT. the two others I have quoted. The Examiner, indeed, ia Vill nobodies try my nice Annual Pill, extracting it from the Chronicle, słys,“ we think we can Dat's to purify every ting nashty avay? guess whose easy and sparkling hand it is." Pless ma heart, pless ma heart, let ma say vat I vill, Not a Chrishtian or Shentleman minds vat I say! TO SIR HUDSON LOWE. 'Tis so pretty a bolus !—just down let it go, And at vonce, such a radical shange you vill see, Effare causam nominis, Dat I'd not be surprish'd, like de horse in de show, Utrum ne mores hoc tui If our heads all were found, vere our tailsh ought Nomen dedere, ap nomen hoc to be! Secuta morum regula. Vill nobodies try my nice Annual Pill, etc. Ausonius. 'Twill cure all Electors, and purge avay clear Dat mighty bad itching dey've got in deir hands- Van's. Give de Sinecure Shentleman von little grain, again! Vill nobodies try my nice Annual Pill, etc. 'Twould be tedious, ma tear, all its peauties to paint But, among oder tings fundamentully wrong, long. (Vat is often de case) it vill stop de disease, Sir Hudson Lowe, Sir Hudson Low As thou art fond of persecutions, When thrown among the Lilliputians. Upon the Mighty Man's protuberance, To see their pigmy pride's exuberance! And needles in the great man's breeches; Got up and worried him with speeches. Though different, too, these persecutions ; Is taken by the Lilliputians ! 1 Meaning, I presume, Coalition Administrations. 2 Whether sedentary habits have any thing to do with this peculiar shape, I cannot determine ; but that some have supposed a sort of connexion between them, a; pears from the foll wing remark, quoted in Kornmann's curious book, de Virginitatis Jure Ratio perquain le pida est apud Kirchner. in Legato, cum natura illas putes, quæ ad sessionem sunt destinatæ, latiores in fæminis fecerit quam in viris, innuens domi eas manere debere." Cap. 40. RHYMES ON THE ROAD, EXTRACTED FROM THE JOURNAL OF A TRAVELLING MEMBER OF THE POCOCURANTE SOCIETY, 1819. THE Gentleman, from whose Journal the following extracts are taken, was obliged to leave England some years ago (in consequence of an unfortunate attachment, which might have ended in bringing him into Doctors' Commons,) and has but very recently been able to return to England. The greater part of these poems were, as he himself mentions in his Introduction, written or composed in an old caleche, for the purpose of beguiling the ennui of solitary travelling; and as verses made by a gentleman in his sleep have lately been called "a psychological curiosity," it is to be hoped that verses made by a gentleman to keep himself awake may be honoured with some appellation equally Greek. INTRODUCTORY RHYMES. Different Attitudes in which Authors compose.-Bayes, And tricks, we authors have in writing! HERODOTUS Wrote most in bed; And RICHERAND, a French physician, Declares the clock work of the head Goes best in that reclined position. If you consult MONTAIGNE and PLINY on At home may, at their counters, stop; 1 Pleraque sua carmina equitans composuit.-Paravicin. Singular. 2 Mes pensées dorment, si je les assis.-Montaigne. Animus eorum, qui in aperto aëre ambulant, attollitur.Pliny. And truly I suspect they're right For, many a time, on summer eves, Just at that closing hour of light, When, like an eastern Prince, who leaves For distant war his Haram bowers, The Sun bids farewell to the flowers, Whose heads are sunk, whose tears are flowing 'Mid all the glory of his going Even I have felt beneath those beams, When wand'ring through the fields alone, Graven with Beauty's countless forms;- Shadows of things divine appearReflections of bright forms that pass Through fairer worlds beyond our sphere ! But this reminds me I digress ; For PLATO, too, produced, 't is said (As one indeed might almost guess,) His glorious visions all in bed.' 'T was in his carriage the sublime Sir RICHARD BLACKMORE used to rhyme; And (if the wits don't do him wrong,) "Twixt death and epics pass'd his time, Scr.bbling and killing all day longLike Phoebus in his car, at ease, Now warbling forth a lofty song, There was a hero 'mong the Danes, And horrors of exenteration, Nine charming odes, which, if you look, By BARTHOLINUS in his book.2 1 The only authority I know for imputing this practice to Plato and Herodotus, is a Latin poem by M. de Valois on his Bed, in which he says: Lucifer Herodotum vidit vesperque cubantem; 2 Eadem cura nec minores inter cruciates animam infelicem agenti fuit Asbiorno Pruda Danico heroi, cum Bruso Anxious to reach that splendid view Approaching scenes where, they are told, Such glories on their eyes shall burst As youthful bards in dreams behold. 'Twas distant yet, and, as I ran, Full often was my wistful gaze Diminish'd to a speck, as splendid That on th’ Apostles' heads descended! In short, 't were endless to recite When beaux and belles are round them prating; Some, when they dress for dinner, find Their muse and valet both in waiting, As if the hidden founts of Fancy, By mystic tricks of rhabdomancy. Of female genius in this age, Those words of lightning on her page. To the odd way in which I writeHaving employed these few months past Chiefly in travelling, day and night, of rhyming on the road- And (where the road is not so rough, Down precipices) safe enough.- And carrying (which is best of all) Of the Reviews to overhaul. You see, 'Twas at this instant-while there glow'd This last, intensest gleam of lightSuddenly, through the opening road, The valley burst upon my sight! That glorious valley, with its lake, And Alps on Alps in clusters swelling, Mighty, and pure, and fit to make The ramparts of a Godhead's dwelling! I stood entranc'd and mute-as they Of ISRAEL think th' assembled world Will stand upon that awful day, When the Ark's Light, aloft unfurl'd, Among the opening clouds shall shine, Divinity's own radiant sign! Mighty Mont Blanc! thou wert to me, That minute, with thy brow in heaven, As sure a sign of Deity As e'er to mortal gaze was given. Nor ever, were I destined yet To live my life twice o'er again, Can I the deep-felt awe forget The ecstasy that thrill'd me then ! RHYMES ON THE ROAD. 'Twas all that consciousness of power, To rank among the Sons of Light, Mingled with shame-oh, bitter shame! At having risk'd that splendid right, For aught that earth, through all its range Of glories, offers in exchange! "T was all this, at the instant brought, Like breaking sunshine, o'er my thought'Twas all this, kindled to a glow Of sacred zeal, which, could it shine Thus purely ever-man might grow, Even upon earth, a thing divine, And be once more the creature made To walk unstain'd the Elysian shade! EXTRACT I. Geneva. View of the Lake of Geneva from the Jura.'- Anxious to reach it before the Sun went down.-Obliged to proceed on Foot.-Alps.--Mont Blanc.--Effect of the Scene. "T was late-the sun had almost shone His last and best, when I ran on, ipsum, intestina extrahens, immaniter torqueret, tunc enim novem carmina cecinit, etc.—Bartholin. de causis contempt. mort. 1 Made of paper, twisted up like a fan or feather. 2 Custom-house officers. 3 Between Vattay and Gex. No-never shall I lose the trace |