Innocence, Power, and the Novels of John Hawkes

Forsideomslag
University of Pennsylvania Press, 29. aug. 1996 - 220 sider

Selected by Choice magazine as an Outstanding Academic Title

For over forty years, John Hawkes created fictions remarkable for their stylistic beauty and narrative experimentation. His writing has been praised for its visionary engagement with memory and anxiety, violence and eroticism, desire and imagination. Yet there have been few critical studies of the work of this major contemporary author. Rita Ferrari's Innocence, Power, and the Novels of John Hawkes is an unprecedented exploration of Hawkes's sixteen novels and novellas.

As Ferrari discusses the subtle transformations that have occurred in each succeeding work of fiction, she traces Hawkes's experimentation with voice and perspective, his interrogation of authority and representation, and his exploration of language, gender, and identity. Her close readings offer fruitful and original analysis of the central and compelling paradoxes in Hawkes's fiction: how language both makes and unmakes the self, how this act of the imagination is at the same time affirming and deadly, and how, expressly, the act of authoring is both innocent and powerful.

 

Indhold

Textual Image Authorial Vision Narrative Voice
15
Fantasy and Representation
41
Second Skin the Second Sex
62
Dreams of Wholeness Nightmares
84
The Labyrinth the Wilderness the Female
145
The Artist and His Subjects in Whistlejacket
166
Conclusion The Domain of Purity the Fragments
180
Notes
201
Index
217
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