Jahrbuch, Bind 130Quelle & Meyer, 1994 Vols. for 1964- include Shakespeare-Bibliographie. |
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Side 72
... will ask some tears in the true performing of it . If I do it , let the audience look to their eyes . I will move storms . " And yet he is reluctant to let go of the tyrant : " I could play Ercles rarely , or a part to tear a cat in ...
... will ask some tears in the true performing of it . If I do it , let the audience look to their eyes . I will move storms . " And yet he is reluctant to let go of the tyrant : " I could play Ercles rarely , or a part to tear a cat in ...
Side 76
... will be present , whose ' future ' will never be pro- duced or reproduced in the form of presence . This radical alterity , which is not a thing , nevertheless destabilises our control of the meanings we invoke , and in this respect ...
... will be present , whose ' future ' will never be pro- duced or reproduced in the form of presence . This radical alterity , which is not a thing , nevertheless destabilises our control of the meanings we invoke , and in this respect ...
Side 79
... will be a narrative of the trace of a past . It will make sense , in a way that Bottom can't , of a moment of intensity , but it will also integrate this moment into a new context that will alter its meaning , and change the future into ...
... will be a narrative of the trace of a past . It will make sense , in a way that Bottom can't , of a moment of intensity , but it will also integrate this moment into a new context that will alter its meaning , and change the future into ...
Indhold
Shakespeare auf deutschsprachigen Bühnen 199293 | 158 |
Othello Theater als Lichterkette Martina Hütter Patrick | 168 |
Bericht aus dem Süden Andreas Höfele | 175 |
Copyright | |
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93 Peter anamnestische Andreas Aufführung beiden Berlin besonders bewußt Billington Bochum Bottom Bremer Nachrichten Bühne Cultural Darstellung Deutschen Shakespeare-Gesellschaft Deutschland dramatischen Dramen eigenen elisabethanischen Ende englischen Erinnern Erinnerung ersten Figur Foucault Frank Castorf Gedächtnis Geist Gervinus Geschichte Gesellschaft Giuseppe Verdi Goethe Günther Klotz Hamburg Hamlet heißt Henry historische Inszenierung Interpretation Jahrbuch Jahre Jahrhundert Jan Kott Jürgen King Klaus Komödie König konnte Kritiken kulturellen Laroque läßt Lear London love Macbeth macht Maß meaning memory Michael Midsummer Night's Dream München muß Nachrichten nationalen neuen New Historicism Othello past play politischen power Presse Prof Publikum Regisseur Renaissance Rhein-Neckar-Zeitung Rheinische Post Richard Richard III Robert Weimann romances Romeo und Julia Schauspieler sche schen schließlich Schluß Shake Shakespeare Shakespeare-Tage Shakespeare's Shakespeareschen Sommernachtstraum speare Spiel Staatstheater Stück Szene Tagblatt Text Theater Thomas Tradition unserer Vergangenheit vergessen viel Weimar weiß Welt Werk West wieder wirklich Wolfgang Wort Zadek zeigt Zeitung Zuschauer