Literature, Culture and SocietyPsychology Press, 2005 - 336 sider As cultural studies has grown from its origins on the margins of literary studies, it has tended to discard both literature and sociology in favour of the semiotics of popular culture. Literature, Culture and Society makes a determined attempt to re-establish the connections between literary studies, cultural studies and sociology. Arguing against both literary humanism and sociological relativism, it provides a critical overview of theoretical approaches to textual analysis, from hermeneutics to postmodernism, and presents a substantive account of the capitalist literary mode of production. This second edition has been fully revised and rewritten, with new sections including the impact of psychoanalysis and post-structuralism, and the recent work of academics such as Franco Moretti. New case studies have been added in order to examine the intertextual connections between Genesis , Milton's Paradise Lost , Frankenstein (in Mary Shelley's original and also in several film versions), Karel Capek's R.U.R. , Fritz Lang's Metropolis , Ridley Scott's Blade Runner , The X-Files and Buffy the Vampire Slayer . |
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Andrew Milner. Literature , Culture and Society Second edition Andrew Milner Routledge Taylor & Francis Group LONDON AND NEW YORK First published 1996 by UCL Press Second edition published 2005.
Andrew Milner. Literature , Culture and Society Second edition Andrew Milner Routledge Taylor & Francis Group LONDON AND NEW YORK First published 1996 by UCL Press Second edition published 2005.
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Andrew Milner. First published 1996 by UCL Press Second edition published 2005 by Routledge 2 Park Square , Milton Park , Abingdon , Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave. , New York ...
Andrew Milner. First published 1996 by UCL Press Second edition published 2005 by Routledge 2 Park Square , Milton Park , Abingdon , Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave. , New York ...
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Adam Adorno aesthetic American analysis argued audience become Bennett Blade Runner Bloom Bourdieu British Buffy canon Čapek capitalism capitalist censorship cent central cinema clearly comparative literature contemporary cultural production cultural studies cyberpunk Deckard distinction dominant dystopia Eagleton effect elite England English literature epic Escarpit F. R. Leavis feminist film Foucault France Frankenstein gender Genesis genre Goldmann Goodbye Iowa hermeneutics human ibid ideology increasingly insisted institutions intellectual Jameson kind Leavis less literary studies London Mary Shelley Milton mode modern monster Moretti Mutant Enemy narrative newspaper Nineteen Eighty-Four nineteenth century nonetheless novel organised Orwell Paradise Lost particular political popular culture post-structuralism posthuman postmodern Press publishing radical reading relations Robots science fiction sense Shelley Shelley's social society sociology structure television term texts textual theoretical theory tion tradition UNESCO University Vampire Western Canon Williams Williams's writers X-Files Žižek