The Yale Literary Magazine, Bind 117,Oplag 5Yale Literary Society, 1950 |
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Side 21
... deal with more significant material , less tawdry fantasy for vicarious pleasure , more reality — even if it be a ... deal in terms of the concepts which that individual employs as his reality ; the camera need deal only . with the ...
... deal with more significant material , less tawdry fantasy for vicarious pleasure , more reality — even if it be a ... deal in terms of the concepts which that individual employs as his reality ; the camera need deal only . with the ...
Side 22
... deal no more with reality ( and no less ) than paintings or music or sculpture . The film deals with a conventional and fixed screen shape , in which to frame pictures of varied composition . Our perception of light values changes with ...
... deal no more with reality ( and no less ) than paintings or music or sculpture . The film deals with a conventional and fixed screen shape , in which to frame pictures of varied composition . Our perception of light values changes with ...
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Almindelige termer og sætninger
ain't Amery remembered Amery stood Amery Wisted April automatically oversimplifies Beethoven Bicycle Thief bucket buried C. G. JUNG California Camels catalpa center aisle Chesterfield church concert cornbread corner deacons dirt door dress dust Edgar eyes face Fallen Idol farm father film flat floor front George Gideon go to California Graham Greene hand hate havin head heard Hellstrom Huey Long hundred dollar images incoherent King's Men kitchen knew laughed Leave me go lips looked lost mean mind minister minister's MORY'S mother motion picture movie-makers Naomi novel orchestra past Peter porcupine porcupine's pulled pulpit rain realized road rodent screen shaking shoulder smiling snow sorghum soul stop story Sunday Sweet symbolic Symphony talk Tanner Tchaikovsky theme thing thought told took travel folders turned voice waiting walked watched wife Willie Stark Yale zard