An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 sider |
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Side 61
... Racine , which are full of the strongest imagery , and are therefore much more difficult to express in music , than verses of mere sentiment , Un those intricate variations , and affected divisions , into which AND WRITINGS OF POPE . 61.
... Racine , which are full of the strongest imagery , and are therefore much more difficult to express in music , than verses of mere sentiment , Un those intricate variations , and affected divisions , into which AND WRITINGS OF POPE . 61.
Side 74
... Racine , who adopted and revived the use of them in his ATHALIA and ESTHER , were sufficient , one would imagine , to undeceive , and convince us of their importance and utility . The ancients treated only of such stories as were ...
... Racine , who adopted and revived the use of them in his ATHALIA and ESTHER , were sufficient , one would imagine , to undeceive , and convince us of their importance and utility . The ancients treated only of such stories as were ...
Side 100
... Racine was about the same age when his ANDROMACHE , which may be regarded as his first good tragedy , was played . Corneille was more than thirty when his CID appeared . Despreaux was full thirty when he published his satires , such as ...
... Racine was about the same age when his ANDROMACHE , which may be regarded as his first good tragedy , was played . Corneille was more than thirty when his CID appeared . Despreaux was full thirty when he published his satires , such as ...
Side 107
... Racine had fixed on a subject for a play , he wrote down in plain prose , not only the sub- ject of each of the five acts , but of every scene , and every speech ; so that he could take a view of the whole at once , and see whether ...
... Racine had fixed on a subject for a play , he wrote down in plain prose , not only the sub- ject of each of the five acts , but of every scene , and every speech ; so that he could take a view of the whole at once , and see whether ...
Side 119
... . Corneille , whom the French are so fond of opposing to Shakespeare , pro- duced very contemptible comedies ; and the PLAIDEURES * I 4 PLAIDEURES of Racine is so close a resemblance of Aristophanes AND WRITINGS OF POPE . 119.
... . Corneille , whom the French are so fond of opposing to Shakespeare , pro- duced very contemptible comedies ; and the PLAIDEURES * I 4 PLAIDEURES of Racine is so close a resemblance of Aristophanes AND WRITINGS OF POPE . 119.
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Abelard abounds Addison admirable Æneid ancient appear Ariosto bard beautiful Boileau Cant celebrated character Chaucer circumstances composition Corneille critics Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath heroes Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lover manner mentioned merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable satire says scene sentiments solemn Sophocles speaks species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender thee Theocritus thou thought tion tragedy translated ture verses Virgil Voltaire words writer written
Populære passager
Side 12 - All the flocks of Kedar shall be gathered together unto thee, the rams of Nebaioth shall minister unto thee : they shall come up with acceptance on Mine altar, and I will glorify the house of My glory.
Side 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Side 145 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Side 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Side 231 - Let wreaths of triumph now my temples twine, (The victor cried) the glorious prize is mine ! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long as Atalantis shall be read...
Side 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Side 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.
Side 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Side 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Side 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.