Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 125
... Voice , " from United States . There is a diagram explaining how the mechanism works , as well as a photograph of Anderson with the speaker in her mouth in the book United States . 10 Mary Ann Doane , " The Voice in the Cinema : The ...
... Voice , " from United States . There is a diagram explaining how the mechanism works , as well as a photograph of Anderson with the speaker in her mouth in the book United States . 10 Mary Ann Doane , " The Voice in the Cinema : The ...
Side 59
... voice . Within this ensemble of possibilities her " own " voice stands forth as one among a series of performative effects . One is reminded of the line in " O Superman , " " Hello , I'm not home right now but if you want to leave a ...
... voice . Within this ensemble of possibilities her " own " voice stands forth as one among a series of performative effects . One is reminded of the line in " O Superman , " " Hello , I'm not home right now but if you want to leave a ...
Side 98
... voice becomes , in the words of Kaja Silverman , " doubly diegeticized " " in the sense that it is a voice heard in a recording within a recording the recording of the Eighth Route soldier which is within the recording of the filmic ...
... voice becomes , in the words of Kaja Silverman , " doubly diegeticized " " in the sense that it is a voice heard in a recording within a recording the recording of the Eighth Route soldier which is within the recording of the filmic ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York