Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 29
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you . " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if value ...
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you . " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if value ...
Side 46
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
Side 67
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York