Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 30
... represented by proximate points in harmonic space tend to be heard as being in a consonant relation to each other , while tones represented by more widely separated points are heard as mutually dis- sonant , " the " field of force ...
... represented by proximate points in harmonic space tend to be heard as being in a consonant relation to each other , while tones represented by more widely separated points are heard as mutually dis- sonant , " the " field of force ...
Side 40
... represent within the constellation of what Adorno refers to here , in the strongest possible terms , as the " mechanism of psychic mutilation upon which present con- ditions depend for their survival , " and about why jazz might be ...
... represent within the constellation of what Adorno refers to here , in the strongest possible terms , as the " mechanism of psychic mutilation upon which present con- ditions depend for their survival , " and about why jazz might be ...
Side 150
... represent your- self for us , and represent yourself to absolve us from the neces- sary work of representation we must do , the renegotiation of relations of understanding of you and us . Difference has to be part of this work , of this ...
... represent your- self for us , and represent yourself to absolve us from the neces- sary work of representation we must do , the renegotiation of relations of understanding of you and us . Difference has to be part of this work , of this ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York